LIVE MUSIC AUDIO
For performers and sound engineers.
10:30am - 3pm
£30
Risbygate Sports & Social Club
Westley Rd, Bury Saint Edmunds IP33 3RR

IF YOU ARE INTERESTED IN ATTENDING PLEASE CLICK HERE TO SEND US A MESSAGE.
Getting the best possible live sound is reliant on performers and engineers working together and everyone understanding how numerous small decisions impact the end result, particularly when set up time is limited which it always is!
All to often, performers are not aware of what they can do to help ensure that they get a good live sound.
Similarly, engineers might understand all of the technicalities but unless they are aware of the issues that musicians face they will often have an uphill struggle to achieve good results.
This workshop will take a look at both the technical and people aspects of achieving a good live sound. We will also look at how the performer's and engineer's purchasing decisions impact on how things sound. Sometimes the answer can be counter-intuitive.
We will consider how performers and engineers typically interact when under time pressure to set up and what can be done to "oil the wheels".
Technical issues:
Microphone : types, vocal positioning, instrument positioning
Monitor speakers : positioning, monitor mixes,
Main PA speakers : positioning
Guitar pickups : transducer, piezo, magnetic
Guitar and bass amps : positioning, microphone or DI?
DI boxes : active or passive? ground lift, pad, link
Mixing desk: key features and limitations
Radio devices
People issues:
Location of performers on stage
Controlling instrument levels : performer or engineer?
What information should performers provide to engineers?
What should engineers ask the performers?
Who is in charge?! The engineer or the performer?
Typical performer mistakes
Typical engineer mistakes
IF YOU ARE INTERESTED IN ATTENDING PLEASE CLICK HERE TO SEND US A MESSAGE.